| 再论赵孟頫的历史地位 |
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| 引用本文： | 彭艳.再论赵孟頫的历史地位[J].教育理论与实践,2011(12). |
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| 作者姓名： | 彭艳 |
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| 作者单位： | 太原理工大学轻纺工程与美术学院; |
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| 摘 要： | 赵孟頫在中国书法史上具有领袖与宗师地位,他在中国绘画史,特别是文人画发展史上的贡献,同样有着举足轻重的地位。赵孟頫的艺术人生在巩固政权、促进民族大融合和汉文化沿继方面功不可没,其风格创立与经验传承的艺术实践影响并启发着后人,他的古意论和书画同源论为元代绘画指明了方向,并成为后期文人画的重要指导思想。
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| 关 键 词： | 赵孟頫 书法 绘画 历史地位 |
On Historical Position of Zhao Meng-fu |
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| PENG Yan.On Historical Position of Zhao Meng-fu[J].Theory and Practice of Education,2011(12). |
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| Authors: | PENG Yan |
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| Institution: | PENG Yan(College of Textile Engineering & Fine Arts,Taiyuan University of Technology) |
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| Abstract: | Zhao Meng-fu enjoys a leader and master position in the history of Chinese calligraphy and also plays an important role in the history of Chinese painting,in particular,the contribution of the history of literati painting.His artistic life made great contributions to the consolidation of political power,the promotion of large national integration and the inheritance of Chinese culture,influence and inspire future generations in the art practice of style creation and experience inheritance,his theories of th... |
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| Keywords: | Zhao Meng-fu calligraphy drawings historical position |
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