| 《围城》中“开放”与“封闭”的小说结构 |
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| 引用本文： | 胡彦.《围城》中“开放”与“封闭”的小说结构[J].唐山学院学报,2004,17(2):64-66. |
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| 作者姓名： | 胡彦 |
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| 作者单位： | 金华职业技术学院,浙江,金华,321017 |
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| 摘 要： | 《围城》通过方鸿渐的漂泊,借助看似"开放"实则"封闭"的空间转移对20世纪三四十年代的中国及中国知识分子作了入木三分的描绘,多侧面地对所谓文明社会的各种弊端作了无情揭露和嘲讽,使方鸿渐们在不同的世情背景下,呈现出既复杂又真实的人性、人情和人生。
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| 关 键 词： | 《围城》 小说结构 性格塑造 |
| 文章编号： | 1672-349X(2004)02-0064-03 |
| 修稿时间： | 2003年9月12日 |
On the "Open" and "Closed" Structure of the Novel "Surrounded City" |
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| HU Yan.On the "Open" and "Closed" Structure of the Novel "Surrounded City"[J].Journal of Tangshan College,2004,17(2):64-66. |
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| Authors: | HU Yan |
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| Abstract: | Surrounded City" is written in a forceful way about old China's intellectuals of the 1930s-1940s.By describing FANG Hong-jian's wandering life,with a shift of seeming "open space" but practical "closed space",the novel gives a merciless disclosure and sneer at various of malpractices of the so-called civilized society at that time and tries every means to show a complex but true human nature.Feelings and lives of those FANG Hong-jians of different backgrounds are depicted from all sides. |
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| Keywords: | Surrounded City novel structure the portrait of character |
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