| 欧洲"成长体"小说传统视角下的自画像——《一个青年艺术家的画像》与欧洲"成长体"小说传统 |
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| 引用本文： | 邓永忠.欧洲"成长体"小说传统视角下的自画像——《一个青年艺术家的画像》与欧洲"成长体"小说传统[J].云南师范大学学报(哲学社会科学版),2007,39(4):118-121. |
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| 作者姓名： | 邓永忠 |
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| 作者单位： | 暨南大学,国际学院,广东,广州,510632 |
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| 摘 要： | 在乔伊斯的作品当中,<一个青年艺术家的画像>是拥有读者数量最多的一部.但目前国内尚未有研究系统探讨该小说与成长体小说传统的关系.由于<画像>从主题和形式上为乔伊斯的后两部作品做了开拓性的尝试,不少评论将其看成是告别传统的标志.但是,从某种意义上来说,该书不仅是一部"开疆拓域"的作品,也是传统文学的典范之作,对欧洲成长体小说传统既有传承也有超越.
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| 关 键 词： | 乔伊斯 成长体小说 传统 |
| 文章编号： | 1000-5110(2007)04-0118-04 |
| 修稿时间： | 2007年3月16日 |
A Portrait of the Artist as a Young Man and the Tradition of the European Bildungsroman |
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| DENG Yong-zhong.A Portrait of the Artist as a Young Man and the Tradition of the European Bildungsroman[J].Journal of Yunnan Normal University(Philosophy and Social Sciences Edition),2007,39(4):118-121. |
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| Authors: | DENG Yong-zhong |
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| Institution: | International School, J inan University, Guangzhou 510632, China |
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| Abstract: | Among all Joyce's works,A Portrait of the Artist as a Young Man has enjoyed the greatest popularity.Yet few scholars in China have focused on a systematic study of the relationship between this book and the tradition of the European Bildungsroman.Since A Portrait of the Artist as a Young Man serves as an experiment for Joyce's later two works in both content and form,many critics regard it as the symbol of departure from the literary tradition.However,in a certain sense,A Portrait of the Artist as a Young Man is not only an innovative work,but also a typical text of the literary tradition because it has both inherited and transcended the tradition of the European Bildungsroman. |
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| Keywords: | Joyce Bildungsroman tradition |
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