| 论新时期实验话剧的荒诞性 |
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| 引用本文： | 姜南.论新时期实验话剧的荒诞性[J].金华职业技术学院学报,2011,11(2):79-83. |
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| 作者姓名： | 姜南 |
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| 作者单位： | 江苏财经职业技术学院,江苏淮安,223003 |
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| 摘 要： | 当代意识的崛起和强化必然引起文学艺术自身发生嬗变。新时期以来,实验话剧在表现手法上勇于探索、敢于借鉴、立足实验的精神即是这种当代性渗透的结果。新时期实验话剧的创作与演出中出现的荒诞的艺术手段,不仅丰富了实验话剧的表达空间和艺术表现,也有力地拓展了实验话剧的开放意识、生命意识、思想内涵。
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| 关 键 词： | 新时期 实验话剧 荒诞性 |
On the Absurdity of the Experimental Drama in the New Stage |
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| JIANG Nan.On the Absurdity of the Experimental Drama in the New Stage[J].Journal of Jinhua College of Profession and Technology,2011,11(2):79-83. |
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| Authors: | JIANG Nan |
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| Institution: | JIANG Nan(Jiangsu Vocational and Technical College of Finance and Economics,Huai’an 223003,China) |
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| Abstract: | The rising and strengthening of contemporary consciousness will lead to the evolution of literary arts inevitably.Since the new stage,the experimental drama has had an exploration and lesson from it and has had a foothold on the spirits of the experiment.That is the result of the contemporary penetration.The creation and performance of the experimental drama appears absurd art media medium,not only enriches the expression of space and artistic expression of the experimental drama,but also effectively extends the opening consciousness,life consciousness and ideological connotation of the experimental drama. |
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| Keywords: | new stage experimental drama absurdity |
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