| 欧阳询书法的美学风格 |
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| 引用本文： | 何薇.欧阳询书法的美学风格[J].咸阳师范学院学报,2006,21(1):80-82. |
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| 作者姓名： | 何薇 |
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| 作者单位： | 西安交通大学,艺术系,陕西,西安,710049 |
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| 摘 要： | 欧阳询在初唐四家中,以其强烈的美学风格卓然独立。他在继承魏晋六朝书法美学特点的同时,自觉吸收北朝康健爽达的美学风气,形成重法尚意的美学思想。其书作亦表现出质妍互重、骨韵兼并的美学风格。
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| 关 键 词： | 欧阳询 初唐四家 书法美学 重法尚意 |
| 文章编号： | 1672-2914（2006）01-0080-03 |
| 收稿时间： | 2005-09-26 |
| 修稿时间： | 2005年9月26日 |
The Aesthetic Style of Ouyang Xun's Calligraphy |
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| HE Wei.The Aesthetic Style of Ouyang Xun''''s Calligraphy[J].Journal of Xianyang Normal University,2006,21(1):80-82. |
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| Authors: | HE Wei |
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| Abstract: | Among the four brilliant calligraphers in early Tang Dynasty,Ouyang Xun stands out with his strong aesthetic style.While he inherited the aesthetic features of Wei-Jin and Six-Dynasty Periods,he consciously assimilated the aesthetic style of health and facility in the Northern Period,forming aesthetic ideas of stressing calligraphy and appreciating implications.His calligraphy exhibited aesthetic style of combinations of inner and outer qualities and of inner and outer beauties. |
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| Keywords: | Ouyang Xun the four brilliant calligraphers in early Tang Dynasty calligraphy aesthetics stressing calligraphy and appreciating implications |
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