| 试论胡风文学主体性内涵 |
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| 引用本文： | 吴亚南.试论胡风文学主体性内涵[J].韩山师范学院学报,2012(5):30-35. |
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| 作者姓名： | 吴亚南 |
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| 作者单位： | 韩山师范学院中文系,广东潮州 521041 |
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| 基金项目： | 韩山师范学院青年社科基金项目（项目编号：WQ201102） |
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| 摘 要： | 胡风是中国第一个真正实质意义上建立了完整的以马克思主义思想为基础的主体性现实主义理论体系的文艺思想家。他结合时代历史语境和自身艺术实践,提出了"主观战斗精神"等一系列强调文艺主体性作用的文学主张,丰富了中国马克思主义文学批评的理论内涵,有效拓宽了马克思主义文学批评的知识视野和理论空间。论文分别从主体性思考的知识逻辑起点、实践主体性视野、历史条件下的复合主体性内涵三个方面探讨胡风对中国马克思主义文学批评理论建设的贡献。
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| 关 键 词： | 胡风 主体性 主观战斗精神 实践主体性 复合主体性 |
On the Connotations of Hu Feng’s Literature Subjectivity |
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| WU Ya-nan.On the Connotations of Hu Feng’s Literature Subjectivity[J].Journal of Hanshan Teachers College,2012(5):30-35. |
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| Authors: | WU Ya-nan |
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| Institution: | WU Ya-nan(Department of Chinese,Hanshan Normal University,Chaozhou,Guangdong,521041) |
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| Abstract: | Hu Feng is the first Chinese critic who truly establishes subjective realism literature theory based on Marxist literary criticism.Combining historical context of times and his own artistic practice,he advo cates subjective fighting spirit and series of literary claims which emphasize literary subjective importance.His literary claims enrich the connotations of Chinese Marxist literary criticism.and also effectively broaden the vi sion and theoretical space.This paper mainly expounds about Hu Feng’s contribution from three aspects to the construction of Chinese Marxist literary criticism： the knowledge and logic starting point of subjective thinking,practical vision of subjectivity,the compound subjectivities of historical conditions. |
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| Keywords: | Hu Feng subjectivity subjective fighting spirit practice subjectivity compound sub jectivities |
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