| 论北朝赋的创作倾向及理论嬗变 |
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| 引用本文： | 彭安湘.论北朝赋的创作倾向及理论嬗变[J].丹东师专学报,2011(2):89-94. |
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| 作者姓名： | 彭安湘 |
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| 作者单位： | 湖北大学人文学院,武汉430062 |
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| 基金项目： | 教育部人文社会科学研究规划基金资助项目（07JA751034） |
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| 摘 要： | 北朝赋的创作倾向及赋论基本上沿续汉代重政教的赋用论传统,但在不同的时期又有向南朝赋论靠拢的倾向。不过,其倾向与嬗变不像南朝赋论那样,沿着赋文学特质的方向,变动迅速的发展,而是变动缓慢且曲折回旋。不过,北朝赋风与南朝赋风在不同时期的互相渗透以及南、北朝赋论的双向浸润、补正,又最终在南北融合的大趋势中产生了符合赋文学发展的拓新赋论。
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| 关 键 词： | 北朝 赋 创作倾向 理论嬗变 |
Creation Tendency and Theory Evolution of Fu in Northern Dynasty |
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| PENG An-xiang.Creation Tendency and Theory Evolution of Fu in Northern Dynasty[J].Journal of Dandong Teachers College,2011(2):89-94. |
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| Authors: | PENG An-xiang |
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| Institution: | PENG An-xiang (School of Literature,Hubei University,Wuhan 430062,China) |
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| Abstract: | In the creation and theory of Fu in Northern Dynasty,the tradition of the Han Dynasty that politics and education were emphasized as the function of Fu was continued.Nevertheless,a tendency to approach the Fu theory of the Southern Dynasty existed in some periods of the Dynasty.But it did not resemble the Fu of Southern Dynasty which changed rapidly.It changed slowly and revolved windingly.However,the styles of these two dynasties penetrated mutually and the theories infiltrated,supplemented and corrected,thus a new Fu theory suitable to the development of Fu literature was produced in the great tendency of the fuse of the two dynasties. |
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| Keywords: | Northern Dynasty Fu creation tendency theory evolution |
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