| 中国古代音乐的民族审美心理透视 |
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| 引用本文： | 张熙莹,骆云飞.中国古代音乐的民族审美心理透视[J].信阳师范学院学报(哲学社会科学版),2008,28(2):134-136. |
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| 作者姓名： | 张熙莹 骆云飞 |
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| 作者单位： | 新乡学院,音乐系,河南,新乡,453000 |
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| 基金项目： | 河南省教育厅人文社会科学基金 |
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| 摘 要： | 文章试图从民族审美心理的视角，考察中国古代音乐发生、发展的流程，并揭示其内在审美机制：以“中和美”来展示内心体验的世界；以特有的“音色美”作为艺术品位的价值尺度；以“空灵美”作为心灵追求的最高境界。
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| 关 键 词： | 审美心理 情感体验 天人合一 音乐品位 心灵境界 |
| 文章编号： | 1003-0964(2008)02-0134-03 |
| 修稿时间： | 2007年12月20 |
Perspective into the National Esthetic Psychology of Chinese ancient Music |
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| ZHANG Xi-ying,LUO Yun-fei.Perspective into the National Esthetic Psychology of Chinese ancient Music[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2008,28(2):134-136. |
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| Authors: | ZHANG Xi-ying LUO Yun-fei |
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| Institution: | ZHANG Xi-ying, LUO Yun-fei |
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| Abstract: | In this thesis, the author attempts to investigate the production and development process of Chinese ancient music from the angle of national esthetic psychology, and then delineate its internal esthetic principle, such as demonstrating the world experienced by the innermost feeling with ＂neutralization beauty＂, using the typical ＂timbre beauty＂ as the measure of value for artistic taste and using ＂elusive beauty＂ as the highest boundary of spirit pursue. |
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| Keywords: | esthetic psychology feeling experience unity of heaven and man musical taste spiritual boundary |
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