| 从今声调看近体诗的平仄 |
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| 引用本文： | 于志培.从今声调看近体诗的平仄[J].辽宁师范大学学报(社会科学版),2002,25(1):79-81. |
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| 作者姓名： | 于志培 |
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| 作者单位： | 辽宁师范大学中文系,辽宁,大连,116029 |
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| 摘 要： | 近体诗是以“切韵”音系为代表的中古声调系统来调平仄的，从普通话声调分析近体诗平仄的关键在于辨认古人声字，这里以古今声调的对应关系为依据，归纳了排除法，声母辨认法，方言声调与普通话声调对应法等3种方法，使古代诗歌爱好能以他们所熟练掌握的今声调准确分析近体诗的平仄。
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| 关 键 词： | 平仄 拗救 入声字 鼻韵母 不送气 清声母入声 |
| 文章编号： | 1000-1751(2002)01-0079-03 |
| 修稿时间： | 2001年8月19日 |
AnaLyzing the Tonal Patterns of Lushi by Present Tones |
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| YU Zhi-pei.AnaLyzing the Tonal Patterns of Lushi by Present Tones[J].Journal of Liaoning Normal University(Social Science Edition),2002,25(1):79-81. |
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| Authors: | YU Zhi-pei |
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| Abstract: | Lushi adjusts the tonal patterns according to the ancient tone system which represents by "cutting rhythm" system. The key to analyzing the level and oblique tones of Lushi from the tone of Manderin is to identify the entering tone characters.Based on the corresponding relation between ancient tones and present tones,this article sums up the elimination method,the method of recognizing initial consonants,and the method of corresponding dialect tones and Manderin tones,so that fans for classical poetry can analyze the tonal patterns of Lushi correctly by their familiar present tones. |
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| Keywords: | the level and oblique tones Aojiu entering tone character nasal simple or compound vouel non-aspiration voiceless initial consonant of entering tone |
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