| 《吕氏春秋》以儒补道的音乐美学思想 |
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| 引用本文： | 轩小杨.《吕氏春秋》以儒补道的音乐美学思想[J].辽宁师范大学学报(社会科学版),2010,33(3):79-82. |
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| 作者姓名： | 轩小杨 |
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| 作者单位： | 沈阳师范大学音乐学院,辽宁,沈阳,110034 |
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| 摘 要： | 《吕氏春秋》的思想体系属于以道为主的杂家，“杂”中包汇有儒家思想，这种以道纳儒的汇合，造成了《吕氏春秋》在道家乐生于“道”、适性、适心、自然和比的观点上，吸收了儒家的乐以风德、移风易俗、心感成乐的思想，达到了音乐美学思想上发生论、功能论和创作论中的道与德的统一。
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| 关 键 词： | 《吕氏春秋》 音乐美学 发生论 功能论 创作论 |
The Music Aesthetics from Taoism with Confucianism in Lu's Spring and Autumn Annals |
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| XUAN Xiao-yang.The Music Aesthetics from Taoism with Confucianism in Lu's Spring and Autumn Annals[J].Journal of Liaoning Normal University(Social Science Edition),2010,33(3):79-82. |
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| Authors: | XUAN Xiao-yang |
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| Institution: | School of Music/a>;Shenyang Normal University/a>;Shenyang 110034/a>;China |
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| Abstract: | The ideology of Lu's Spring and Autumn Annals is mainly Taoism mixed with miscellaneous ideas of different schools besides Confucianism.The idea system of Taoism containing Confucianism assimilates the Confucian ideas that music can spread virtue,can refine society and music originates from the touch of mind,based on the Taoist idea that music derived from Tao,accorded to one's living and heart desire,and came out in harmony with the nature.As a result,Tao and Virtue integrated together in the theory of mus... |
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| Keywords: | Lu's Spring and Autumn Annals music aesthetics development theory function theory creation theory |
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