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原型重释——对当下原型定义的一点补充
引用本文:张冰.原型重释——对当下原型定义的一点补充[J].辽宁师范大学学报(社会科学版),2003,26(4):88-90.
作者姓名:张冰
作者单位:洛阳师范学院,中文系,河南,洛阳,471022
摘    要:国内近20年关于原型探讨主要是围绕着原型批评进行,这在一定程度上就忽略了荣格理论本身,并且荣格的原型理论与原型批评因分属于不同的学科领域,因而也不能将二简单的等同,基于此,重新梳理荣格的原型思想就成为一种必要。荣格对原型的阐释,不是确定的,而是不断发展和变化的,因而我们应该充分利用他对原型的每一次思考,将原型看作一个系统,来审视它的意义和存在价值。最后指出这种理解对中国艺理论的理论层面的启示有着十分积极的意义。

关 键 词:原型  荣格  情感  象征
文章编号:1000-1751(2003)04-0088-03
修稿时间:2002年7月15日

Reinterpretation of Prototype Theory--A Supplement to the Concept of Present Prototype Theory
ZHANG Bing.Reinterpretation of Prototype Theory--A Supplement to the Concept of Present Prototype Theory[J].Journal of Liaoning Normal University(Social Science Edition),2003,26(4):88-90.
Authors:ZHANG Bing
Abstract:In the past 20 years the discussions on the prototype theory has been focusing on its criticism at home, to some extent, overlooking the C.C. Jung's theory itself. However, the prototype theory and prototype criticism can not be simply made equal as they are categirized in different fields of subjects. On this, it is essentially necessary to reinterprete the prototye theory. As C. C. Jung s interpretation on the prototype theory is not definite, but growing and changing, we must lake advantage of every of his consideration about the prototype as a system to examine its significance and value of existence, so as to eventually point out an enormously dynamic importance of this understanding to the theoretical aspects of the theories of Chinese art and literature.
Keywords:prototype  C  C  Jung  emotion  symbol  
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