| 万古风流点画中——论“道”在中国书法艺术中的审美映现 |
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| 引用本文： | 王哲平.万古风流点画中——论“道”在中国书法艺术中的审美映现[J].青海师范大学学报(哲学社会科学版),2005(6):101-105. |
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| 作者姓名： | 王哲平 |
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| 作者单位： | 浙江工业大学,人文学院,浙江,杭州,310014 |
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| 基金项目： | 国家社会科学基金项目“审美文化视野中的‘道＇”（02BZX064）;上海市哲学社会科学＂“九五”规划项目“审美文化视野中的‘道＇”（00EWY002） |
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| 摘 要： | “道”是艺术作品的生命之本.中国艺术以体“道”为鹄的.超越广阔的艺术时空,充分展示“道”的无穷魅力,乃是中国古代艺术家自愿承担的历史使命.中国书法艺术之所以风靡百代而不衰,其奥秘在于它最擅长对非质实而虚灵的“道”的摹仿,以浓淡枯实、周流运转的点画线条形成“囊括万殊,裁成一相”的抽象美.它既追求“笔补造化天无功”的形式美,又寄寓各个时代的生命情调和文化精神,让点画生情,形外有意,创造出种种风流韵致.
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| 关 键 词： | 道 书法艺术 审美 |
| 文章编号： | 1000-5102(2005)06-0101-05 |
| 收稿时间： | 09 6 2005 12:00AM |
| 修稿时间： | 2005年9月6日 |
On Tao's Aesthetic Emergence in Traditional Chinese Calligraphy |
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| WANG Zhe-ping.On Tao''''s Aesthetic Emergence in Traditional Chinese Calligraphy[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2005(6):101-105. |
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| Authors: | WANG Zhe-ping |
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| Institution: | The Humanity School of Zhejiang Industry College,Hangzhou 310014,China |
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| Abstract: | It is widely conceived that Tao is the life root of Chinese aesthetics and Chinese arts which take experiencing Tao as their goal.Going beyond the vast artistic time and space and fully showing Tao's unlimited charm were the historical mission undertaken voluntarily by the ancient Chinese artists.It is an effective channel for people to experience Tao's concrete,abundant and veritable essence through traditional Chinese calligraphy where Tao's aesthetic emergence in different artistic time and space is reflected. |
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| Keywords: | Tao Chinese calligraphy aesthetic category |
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