| 虚静与神思——《文心雕龙·神思篇》探论 |
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| 引用本文： | 汀子.虚静与神思——《文心雕龙·神思篇》探论[J].重庆职业技术学院学报,2011,20(2):78-80. |
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| 作者姓名： | 汀子 |
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| 作者单位： | 广东外语艺术职业学院,广东,广州,510000 |
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| 摘 要： | 在《文心雕龙·神思篇》中,刘勰指出了神思与虚静的关系——陶钧文思,贵在虚静,第一次把创作主体心灵的虚静引入文学创作构思中。虚静状态,是创作主体进行构思的心理条件,也是创作主体的一种境界。这一观点启发了后来的意境说,对后世文学理论产生了重要影响。
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| 关 键 词： | 神思 灵感 虚静 意境 |
Open and Peaceful Mind and Ingenous Conception——On Ingenous Conception of Carving a Dragon at the Core of Literary |
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| TING Zi.Open and Peaceful Mind and Ingenous Conception——On Ingenous Conception of Carving a Dragon at the Core of Literary[J].Journal of Chongqing Vocational& Technical Institute,2011,20(2):78-80. |
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| Authors: | TING Zi |
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| Institution: | TING Zi(Guangdong Teachers College of Foreign Language and Arts,Guangzhou Guangdong 510640,China) |
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| Abstract: | Liu Xie indicated the relationship between ingenous conception and open and peaceful mind in Carving a Dragon at the Core of Literary.Open and peaceful mind is the psychological conditions of ideation as well as compass of originator.The viewpoint aroused the discussion of creative conception and deeply influenced the literary theory of later ages. |
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| Keywords: | ingenous conception inspiration open and peaceful mind creative conception |
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