| 20世纪90年代以来的诗歌叙事 |
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| 引用本文： | 李志元,张健.20世纪90年代以来的诗歌叙事[J].北京师范大学学报(社会科学版),2006(2):55-62. |
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| 作者姓名： | 李志元 张健 |
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| 作者单位： | 北京师范大学,文学院,北京,100875;北京师范大学,文学院,北京,100875 |
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| 摘 要： | 为了修正诗歌与现实的关系,恢复写作的有效性和活力,20世纪90年代以来的诗歌将叙事作为主要的话语方式。这一话语方式的形成包含着多方面的原因:历史的选择、修辞策略、见证历史的抱负和信心以及审美现代性的自觉。其特征则表现为零度叙事、复调叙事和非史诗叙事。90年代以来的诗歌叙事扩大了当代诗歌的表现视域和处理复杂经验的能力,同时,它的局限性和负面影响也不容忽视。
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| 关 键 词： | 90年代以来 汉语诗歌 叙事 话语方式 |
| 文章编号： | 1002-0209（2006）02-0055-08 |
| 收稿时间： | 2005-10-14 |
| 修稿时间： | 2005-10-14 |
The Narrative of Poetry since 1990s |
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| LI Zhi-yuan,ZHANG Jian.The Narrative of Poetry since 1990s[J].Journal of Beijing Normal University(Social Science Edition),2006(2):55-62. |
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| Authors: | LI Zhi-yuan ZHANG Jian |
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| Institution: | School of Chinese Language and Literature, BNU, Beijing 100875, China |
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| Abstract: | The poetry since 1990s has adopted the narrative as the main discourse style for the purpose of modifying the relation between poetry and actuality, and renewing the validity and the livingness of writing. As for the formation of this style, there are many reasons, such as historic choice, rhetoric strategy, ambition and confidence of witnessing the history, and aesthetic consciousness of modernism. And the characteristics include zero narrative, polyphonic narrative, and nonepic narrative. These techniques have enlarged the expressive power and the capability in dealing with complicated experienee. But at the same time, the limitation and negative influence should not be neglected. |
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| Keywords: | 1990s Chinese poetry narration discourse style |
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