| 中国画的黑白奥妙 |
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| 引用本文： | 赵,铃.中国画的黑白奥妙[J].晋城职业技术学院学报,2014(3):76-78. |
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| 作者姓名： | 赵 铃 |
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| 作者单位： | 运城师范高等专科学校,山西运城044100 |
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| 摘 要： | 黑色和白色是世界上最简单、纯净的两种颜色,却成就了中国画永恒的魅力。黑白之色,为何成为了中国画的灵魂标志?黑白之美,如何造就了中国画的精神气质?从黑白之源谈起,说明黑白两色,从一开始就受到华夏先祖的青睐,成为中国人重要的审美、说理的形式载体。从虚实相生、动静结合的角度谈了黑白之法,阐述了黑白之美及黑白两色的艺术前景。
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| 关 键 词： | 中国画 黑白 虚实 审美 |
On the Wonders of Chinese Painting in Black and White |
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| ZHAO Ling.On the Wonders of Chinese Painting in Black and White[J].Journal of Jincheng Institute of Technology,2014(3):76-78. |
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| Authors: | ZHAO Ling |
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| Institution: | ZHAO Ling ( Yuncheng Teachers＇ College, Yuncheng,Shanxi 044100, China) |
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| Abstract: | Black and white, the world＇s most simple,pure colors,become the eternal charm of Chinese painting. Why do the colors of black and white become a symbol of Chinese painting soul？ How does the beauty of black and white create the temperament of the spirit of Chinese painting？ From the source of black and white,the article shows that black and white were favored by Chinese ancestors from the beginning and became an important carrier in the form of aesthetic and reasoning for the Chinese. Afterwards, people began to talk about black and white from the angle of the exchange from virtuality to reality,and the combination of dynamic and static. Finally,the article describes the beauty of black and white, and artistic outlook of black and white. |
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| Keywords: | Chinese painting black and white false or true aesthetic |
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