| 论《爸爸爸》之主体精神 |
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| 引用本文： | 徐敏君.论《爸爸爸》之主体精神[J].四川教育学院学报,2012,28(1):61-63,79. |
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| 作者姓名： | 徐敏君 |
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| 作者单位： | 广西师范学院文学院,广西南宁,530001 |
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| 摘 要： | 《爸爸爸》被文学界誉为寻根文学的代表性作品,它以其独特的魅力而成为一种文学思潮的开山之作。除其叙述客体所表现的浓郁的地域文化特色外,更吸引我们的是作者以一种批判的眼光审视传统文化的愚昧、落后,但并非＂一棍子＂打死式的愤世嫉俗的疏离,而是以一种宽容的精神去观照传统文化和生活在古老原始部落的人们。《爸爸爸》不仅以其浓厚的地域文化色彩和强烈的寻根意识而著称,而且其创作主体表现出的精神蕴涵为其创作更增添艺术魅力。
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| 关 键 词： | 韩少功 《爸爸爸》 主体精神 |
On the Subject Spirit of Daddy |
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| XU Min-jun.On the Subject Spirit of Daddy[J].Journal of Sichuan College of Education,2012,28(1):61-63,79. |
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| Authors: | XU Min-jun |
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| Institution: | XU Min-jun(School of Literature,Guangxi Teachers Education University,Nanning 530001,China) |
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| Abstract: | Daddy is praised as the representative works of root-seeking literature by the literary circle,and it is an foundation works of a kind of trend of thought in literature due to its unique charm.In addition to the rich regional culture features presented by its object of narration,the author’s critical look at the ignorance and backwardness of traditional culture is more attractive.Daddy is famous for its strong regional culture color and root-seeking consciousness,and the spiritual implication demonstrated by the creation subject adds more artistic charm for the creation. |
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| Keywords: | Han Shaogong Daddy subject spirit |
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