| 论欧阳修对南唐词的接受及其文化审美心态 |
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| 引用本文： | 陈明霞.论欧阳修对南唐词的接受及其文化审美心态[J].安康学院学报,2014(5):75-78. |
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| 作者姓名： | 陈明霞 |
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| 作者单位： | 铜仁学院 中文系,贵州 铜仁,554300 |
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| 摘 要： | 晚唐五代词风对北宋词影响较大，与花间词相比，南唐词具有情深而文雅的特点，更易为北宋士大夫所接受。欧阳修在北宋词坛上具有承上启下的地位，又具有合体的文学观念，因此他对于南唐词的接受，更能体现北宋人的文化审美心态。一是接受南唐词淡化情节、形象的写作技巧，深化、细化词作的情感；二是接受南唐词淡化情欲描写，提纯人的感情的写作技巧，使得感情温润纯正；三是接受南唐词幽深的意境，摈弃了其深广的意境；接受南唐词细腻婉转的情思，淡化了其深沉的情思，使得意境迷离，情思摇曳。这样，既遵循了词作摇曳迷离的心绪文学的审美特征，又遵循了儒家温润雅正的审美思想。这种心态的形成是由作者对于词体的认识、合体观念及其儒家文化审美观念共同决定的，也是当时士大夫接受南唐词时的普遍心态，但这种心态一方面不能真实地反映作者的内心感受，一方面受到了儒家文化的束缚，因此说，它并不是一个完全的心灵审美化的过程。
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| 关 键 词： | 欧阳修 南唐词 接受 文化审美心态 心灵审美 |
Probe into the Reasons Mr. Ou Accepted the Poems in the Nan Tang and His Aesthetic in Poems |
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| CHEN Mingxia.Probe into the Reasons Mr. Ou Accepted the Poems in the Nan Tang and His Aesthetic in Poems[J].Journal of Ankang Teachers College,2014(5):75-78. |
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| Authors: | CHEN Mingxia |
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| Institution: | CHEN Mingxia (Chinese Department, Tong Ren University, Tongren554300, Guizhou, China) |
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| Abstract: | The style of ci-poet in Late Tang and Five Dynasties late impact Northern Song Dynasty ci-poet greatly. Compared with HuaJian ci, Southern Tang ci-poet is deep and gentle so it is more likely to be accepted by the Northern Song Dynasty scholar- bureaucrat. Ouyang Xiu is the person connecting past and present in the ci-poet history of northern dynasty. His concept was that the particular article genre had the particular style,so his accepting Southern Tang ci-poet,more can reflect people＇s culture aesthetic mentality in the north-ern song dynasty. First,accept Southern Tang ci poet＇s writing skills of dilute plot and image,to deepen and refine ci-poet for emotion;Second,accept Southern Tang ci poet＇s writing skill of desalting lust and purring emotion,which can made people＇s felling be gentle and pure;Third,accepted the deep artistic conception of Southern Tang ci,abandon the widespread artistic conception of it. He accepted the delicate and indirect feelings of southern tang ci,diluted profound feelings. All he did made blurred Artistic conception and swaying emotions. Thus, Ouyang Xiu followed the blurred swaying of aesthetic features, but also followed the Soft and gentle aesthetic ideas of Confucian. The formation of this mentality is fit with the author for the understanding of the ci,particular style fit particular article genre and Confucian culture aesthetic idea. In fact, this was scholar-bureaucrats general state of mind when they accepted southern Tang ci, but this kind of mentality on cannot really reflect the author＇s psychology on the one hand and was tied to Confucian culture the other hand. In view of this,it is not a complete spiritual aesthetic process. |
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| Keywords: | Ouyang Xiu Southern Tang ci-poet acceptance cultural aesthetic mentality spiritual aesthetic |
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