| 作为实践美学的后期朱光潜美学 |
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| 引用本文： | 薛富兴.作为实践美学的后期朱光潜美学[J].贵阳学院学报(社会科学版),2002(3). |
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| 作者姓名： | 薛富兴 |
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| 作者单位： | 南开大学哲学系 天津南开300071 |
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| 摘 要： | 20世纪 6 0年代后的朱光潜美学已是实践美学 ,从以物的形象为审美对象到强调美的意识形态性 ,再到提出文艺是生产劳动 ,是朱光潜实践美学形成的基本轨迹。以文艺的主观性说明实践的能动性 ,以审美的创造精神沟通的物质与精神生产 ,寄托人类全面发展的文化理想 ,是朱光潜实践美学的主要特征。
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| 关 键 词： | 意识形态性 生产劳动 实践美学 创造性 全面发展 |
Zhu Guangqian's Aesthetics as Practical Aesthetics in his Late Period |
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| XUE Fu-xing.Zhu Guangqian''''s Aesthetics as Practical Aesthetics in his Late Period[J].Journal of Guiyang College:Social Sciences,2002(3). |
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| Authors: | XUE Fu-xing |
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| Abstract: | From 1960s, Zhu Guangqian's aesthetics became practical and its formation underwent such stages as following: from taking things image as aesthetic object, to stressing ideological nature of beauty's, and to pointing out that literature is productive labor. The main characteristics is to explain the activity of practice by subjectivity of literature, and to take matter and intellectual production by aesthetic creativity and to express the cultural ideal of human beings for an all-round development. |
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| Keywords: | ideological nature productive labor practical aesthetics creativity an all-round development |
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