| 艺术起源"巫术说"及其悖论 |
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| 引用本文： | 张白露.艺术起源"巫术说"及其悖论[J].南阳师范学院学报,2006,5(2):93-97. |
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| 作者姓名： | 张白露 |
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| 作者单位： | 河南师范大学,美术系,河南,新乡,453007 |
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| 基金项目： | 国家“985工程”“科技伦理与艺术”哲学社会科学创新基地项目 |
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| 摘 要： | “巫术说”是当今最具有影响力的艺术发生学理论之一,“巫术说”的理论依据主要是原始思维的提出,但是以“巫术”来阐释艺术的起源,难免存在理论上的悖论现象,因为从审美和艺术作为人的基本精神需求,以及从人类社会的发展来说,人类的审美意识和艺术的产生要比人类巫术思想的产生早得多。
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| 关 键 词： | 艺术起源 巫术说 原始艺术 原始思维 审美意识 |
| 文章编号： | 1671-6132（2006）02-0093-05 |
| 收稿时间： | 2006-01-20 |
| 修稿时间： | 2006年1月20日 |
The Theory of Art Comes from "Witch" and Its Antimony |
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| ZHANG Bai-lu.The Theory of Art Comes from "Witch" and Its Antimony[J].Journal of Nanyang Teachers College,2006,5(2):93-97. |
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| Authors: | ZHANG Bai-lu |
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| Abstract: | The theory of witch is one of the most influenced theories to illustrate why the art comes into being. However, there are many suspect places of this theory. The main reasons are that the time of aesthetic consciences of human being and the art's coming into being are far earlier than the thoughts of witch. In this article, through the analyses of the relations between the art, witch activities and human being, and from the angle of psychological way, the author points out that the theory of witch has many suspect places and a lot of contrarieties. |
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| Keywords: | source of art theory of witch primitive art primitive thought the consciences of aesthetic |
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