| 融合与边界——从绘画语言管窥中国当代水彩画 |
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| 引用本文： | 郑洪明.融合与边界——从绘画语言管窥中国当代水彩画[J].赣南师范学院学报,2008,29(1):130-132. |
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| 作者姓名： | 郑洪明 |
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| 作者单位： | 仲恺农业技术学院艺术设计系,广州,510225 |
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| 摘 要： | 当代中国水彩画正处在不断发展时期,画种语言的融合培植形成了中国水彩画的独特品质,促进了水彩画种的成熟与演变。同时,在借鉴和融合过程中,水彩画的本体语言和独特审美渐渐丧失。绘画语言的融合是有边界的,只有在不失去水彩画自身特质条件下的融合和借鉴才是真正有意义的。辩证地看待画种本体语言的纯正和其自身语言体系的边界是艺术多样性的合理存在。
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| 关 键 词： | 中国现代水彩画 绘画语言 融合 边界 |
| 文章编号： | 1004-8332(2008)01-0130-03 |
| 修稿时间： | 2007年10月20 |
Fusion and Boundary——A Restrited View of Chinese Modern Watercolor from the Paintings Language |
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| ZHENG Hong-ming.Fusion and Boundary——A Restrited View of Chinese Modern Watercolor from the Paintings Language[J].Journal of Gannan Teachers' College(Social Science(2)),2008,29(1):130-132. |
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| Authors: | ZHENG Hong-ming |
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| Institution: | ZHENG Hong-ming(Art and Design Department; Zhongkai University of Agriculture and Technology; Guangzhou 510225; China); |
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| Abstract: | The modern Chinese watercolor has been in the period of continuously-ascending development.The fusion of painting language has fostered and formed the special quality and aesthetics of Chinese watercolor,thus promoting the maturity and evolution of it.However,in the process of fusion and drawing lessons from other painting language,watercolor has gradually lost its eddence language and special aesthetics.The fusion of painting language has a boundary.Under the condition of retaining,the characteristics of watercolor in fusion are really meaningful.To look at the purity of the essential painting language and boundary of its language system dialectically is where artistic diversiication exists reasonably. |
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| Keywords: | the modern Chinese watercolor painting language fusion boundary |
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