| 诗画本一律 天工与清新———谈苏轼的绘画 |
| |
| 引用本文： | 白晓剑,王娜.诗画本一律 天工与清新———谈苏轼的绘画[J].赣南师范学院学报,2006,27(2):113-115. |
| |
| 作者姓名： | 白晓剑 王娜 |
| |
| 作者单位： | 赣南师范学院,美术学院,江西,赣州,341000 |
| |
| 摘 要： | 苏轼在艺术领域明确地提出了诗画同源的理论。在绘画上他重常形,重笔墨意韵,追求神似的绘画观点,一反两宋画院的旧习,开一代“文人画”的先河,这对后世传统中国画风格的形成影响很大。
|
| 关 键 词： | 文人画 笔墨 意境 |
| 文章编号： | 1004-8332(2006)-0113-03 |
| 修稿时间： | 2005年6月24日 |
On the Similarity Poems and Paintings and Wonderful Workmanship--On Shu Slui's Paintings |
| |
| BAI Xiao-jian.On the Similarity Poems and Paintings and Wonderful Workmanship--On Shu Slui''''s Paintings[J].Journal of Gannan Teachers' College(Social Science(2)),2006,27(2):113-115. |
| |
| Authors: | BAI Xiao-jian |
| |
| Abstract: | Su Shi had put forward the theory of muntainhead between poem and painting in the art feild.He attached much emphasis to ordinary forms and the charm of Chinese ink and pursued the painting viewpoints of similarity in spirit.He opposed the old customs of the painting academy during the period of two Song Dynasties.He was the forerunner of " the Picture of Educated Man" in the painting history.Therefore,his theory has far-reaching influence on the style of traditional Chinese painting in the later time. |
| |
| Keywords: | the picture of educated man Chinese ink artistic conception |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
