| 批评的多元化与“文化诗学” |
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| 引用本文： | 黎风.批评的多元化与“文化诗学”[J].四川师范大学学报(社会科学版),2003,30(3):56-61. |
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| 作者姓名： | 黎风 |
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| 作者单位： | 四川大学,文学与新闻学院,四川,成都,610064 |
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| 摘 要： | “化诗学”是20世纪西方学理论批评中出现并在80年代正式亮相的研究思潮,近一两年来引起了中国批评界的极大关注。其实从古希腊时代起西方论就有很浓的化互渗倾向,经历了“化——学——化”的轮回历史过程。现代“化诗学”是在社会科技知识理性和批评多元化的新背景下形成的,学批评更多地关注社会的改治意识形态、经济运行机制和民间生态化等问题,具有更强的化批判性和思想沉思能力。
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| 关 键 词： | 批评 “文化诗学” 多元化 民间性 政治意识形态 |
| 文章编号： | 1000-5315(2003)03-0056-06 |
| 修稿时间： | 2002年10月21 |
Multi-Element of Criticism and "Cultural Poetics" |
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| LI Feng.Multi-Element of Criticism and "Cultural Poetics"[J].Journal of Sichuan Normal University(Social Science Edition),2003,30(3):56-61. |
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| Authors: | LI Feng |
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| Abstract: | Cultural poetics" emerges in the criticism of western literary theory in the20th century and takesa formal position in the 1980's, which catches the attention of the Chinese criticism circle in therecent two years. It goes through a historical process of mutual cultural permeation from cultureto literature to culture since ancient Greek. Modern "cultural poetics" takesshape in thebackground of rationality of social scientific technological knowledge and multi element ofcriticism, gives more attention to the issues of political ideology, economic operation mechanism and popular ecological culture in literary criticism, and is of stronger cultural criticism and meditation. |
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| Keywords: | criticism "cultural poetics" multi element folkloric nature political ideology |
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