| 浅谈中国民族油画的审美与出路 |
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| 引用本文： | 陈海威.浅谈中国民族油画的审美与出路[J].鸡西大学学报,2007,7(5):85-86,84. |
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| 作者姓名： | 陈海威 |
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| 作者单位： | 蒲田学院,福建·蒲田,351100 |
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| 摘 要： | 西方油画从进入中国的那一天起就开始了民族化的进程。纵观中国油画的民族化道路,可以看出民族油画只有根植于中国民族的审美情趣,才能真正走向成熟。只有立足于中国传统文化、从传统的精粹中汲取营养才是中国民族油画的出路。且不仅仅是绘画题材、绘画技法的民族化,更需要画家对传统文化有较深刻地认识,并能做到师法自用。
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| 关 键 词： | 油画民族化 审美情趣 传统文化 出路 |
| 文章编号： | 1672-6758（2007）05-0085-2 |
Discussion on the Aesthetics and Way Out of Chinese National Oil Painting |
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| Chen Haiwei.Discussion on the Aesthetics and Way Out of Chinese National Oil Painting[J].JOurnal of Jixi University:comprehensive Edition,2007,7(5):85-86,84. |
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| Authors: | Chen Haiwei |
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| Institution: | Chen Haiwei |
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| Abstract: | On the very day when western oil painting was introduced to China,the nationalization of oil painting began.only when national oil painting is deeply rooted in the aesthetics of Chinese people can Chinese oil painting become mature.The only way out for Chinese national oil painting is to base itself on Chinese traditional culture and assimilate nutriment from cultural heritage;and this is not only the nationalization of painting subjects and techniques,but also a painter's deep consciousness and flexible use of traditional culture. |
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| Keywords: | oil painting nationalization aesthetic taste traditional culture the way out |
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