| 呼唤主体--朱光潜与实践美学 |
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| 引用本文： | 章辉.呼唤主体--朱光潜与实践美学[J].华中师范大学学报(人文社会科学版),2004,43(1):44-48. |
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| 作者姓名： | 章辉 |
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| 作者单位： | 中国人民大学,哲学系,北京,100872 |
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| 摘 要： | 在20世纪五六十年代的美学大讨论中．采光潜通过把”物”与“物的形象”区别开,强调物质生产和艺术生产的一致性,反对审美反映论等途径竭力维护审美主体的地位。朱光潜对审美主体的呼唤与当代西方美学具有同构性。
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| 关 键 词： | 实践美学 自然人化 反映论 主体 |
| 文章编号： | 1000-2456(2003)06-0044-05 |
| 修稿时间： | 2003年7月16日 |
Calling for Subjective:Zhu Guang-qian and Practical Aesthetics |
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| ZHANG Hui.Calling for Subjective:Zhu Guang-qian and Practical Aesthetics[J].Journal of Central China Normal University(Humanities and Social Sciences),2004,43(1):44-48. |
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| Authors: | ZHANG Hui |
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| Abstract: | In the discussion of aesthetics between 1950s and 1960s, Zhu Guang qian tried hard to maintain the position of the subjective by distinguishing "objects" with "the image of objects", and by stressing the consistency of material production and arts production, which shares much in common with the modern western aesthetics. |
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| Keywords: | practical aesthetics humanization of nature theory of reflection subjective |
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