| 简析九十年代文学的多样化创作姿态 |
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| 引用本文： | 王平,王建华.简析九十年代文学的多样化创作姿态[J].宜宾学院学报,2007,7(11):20-22. |
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| 作者姓名： | 王平 王建华 |
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| 作者单位： | 南昌大学,人文学院,江西,南昌,330043 |
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| 摘 要： | 80年代,在启蒙激进思潮下文学的创作姿态大体相同.90年代,由于诸多原因,当代文化与文学转型的“狂欢化“历程发生了根本性的变化.文化思想观念的变化导致了作家们创作理念的巨大差异,显现为创作姿态上的分道扬镳,他们抛弃了启蒙式的“大我“姿态,选择了依附于各自人生信仰独立、多样的自我姿态.大体上看来,90年代的创作姿态基本显现为五种,它们是个人化写作、私人化写作、媚俗化写作、个人化历史写作和重返中心化写作.它们各自具有不同的含义、特点,分别反映在不同的文学潮流上.
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| 关 键 词： | 创作姿态 多样化 含义 特征 |
| 文章编号： | 1671-5365(2007)11-0020-03 |
| 修稿时间： | 2007年7月24日 |
On Variety of 1990s Literary Creation Attitude |
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| Authors: | WANG Ping WANG Jian-hua |
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| Abstract: | Literature in the 1980s,under the radical ideas of enlightenment literary creation,is of the same stance.Due to the 1990s many reasons,the "rave" process of the contemporary cultural and literary transformation fundamentally changed.Cultural ideas led to the tremendous differences of writers' creative ideas,revealing the creation of the stance parted ways.They abandoned the illuminative attitude of the "me" and chose the independent,diversified attitude depending on the their own faith of the life.It seems generally,the 1990s creation of basic stance appear to personal writing,private writing,vulgarized writing,writing of personal history and writing of reintegration centers.They have a different meaning,characteristics reflected in the different literary trend. |
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| Keywords: | Creative Stance Diversification Meaning Features |
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