| 儒释道文化观照下的苏轼之“诗画本一律” |
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| 引用本文： | 李翠萍.儒释道文化观照下的苏轼之“诗画本一律”[J].桂林师范高等专科学校学报,2010,24(1):99-101. |
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| 作者姓名： | 李翠萍 |
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| 作者单位： | 中州大学艺术学院,河南,郑州,450044 |
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| 摘 要： | 在传统文化的浸润里，苏轼提出“诗画本一律”的审美观点，认为诗画之间存在着“无形”的“相通”，即体现在艺术物质形态之外的审美标准、表现手法、构思手法，以及艺术家对人生、对历史、对宇宙的感悟等等深层关系。
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| 关 键 词： | 儒释道文化 苏轼 诗画本一律 |
The Influence of Three Great Thoughts, Confucianism, Buddhism and Taoism on the Same Principle of Su Shi's Poetry and Painting |
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| Li Cuiping.The Influence of Three Great Thoughts, Confucianism, Buddhism and Taoism on the Same Principle of Su Shi's Poetry and Painting[J].Journal of Guilin College of Education,2010,24(1):99-101. |
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| Authors: | Li Cuiping |
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| Institution: | Li Cuiping (Department of Fine Arts, Zhongzhou University, Zhengzhou, Henan 450044, China) |
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| Abstract: | Su shi was greatly influenced by the three great thoughts, Confucianism, Buddhism and Taoism in the same rules of poetry and painting. To be specific, there are four aspects of it： 1. Pursuing the same fla- vor and views on the artistic principles; 2. Expressing artists＇ subjective feelings freely and unlimitedly; 3. Creating the images with the same method ＂bi xing＂ ; 4. Same psychological preparation for aesthetic activities. Three thoughts are frequently seen in Su Shi＇s poetry and painting and they play an important role in shaping his personality. This helps to bring about Su Shi＇ s aesthetic realm. |
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| Keywords: | Confucianism Buddhism and Taoism Su Shi Same Principle of Poetry and Painting |
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