| 试析运动发展在电影美学中的作用 |
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| 引用本文： | 马慧.试析运动发展在电影美学中的作用[J].宁夏师范学院学报,2009,30(5):50-52. |
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| 作者姓名： | 马慧 |
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| 作者单位： | 宁夏大学人文学院新闻系 |
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| 摘 要： | Jean Epstein and Germaine Dulac emphasized the importance of movement to film aesthetics. Jean Epstein sought to apply this of rapid and rhythmic editing as well as the innovative use of close - ups and superimpositions of images. However, Germaine Dulac＇ s goal was pure cinema without any influence from literature, stage, or other visual arts. In order to get better visual effects, she believed that films should be made according to the rules of visual music. In this article, both the significance of movement in Epstein＇ s photogenic and Dnlae＇ s cinegraphie will be deeply compared and analyzed. In addition, skills on how to express such concept in film making process will also be discussed.
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| 关 键 词： | 电影 美学 运动 发展 |
MOVEMENT IN FILM AESTHETICS |
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| MA Hui.MOVEMENT IN FILM AESTHETICS[J].Journal of Ningxia Teachers College,2009,30(5):50-52. |
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| Authors: | MA Hui |
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| Institution: | Journal Department of Humanity College,Ningxia University, Ningxia Yinchuan 750021 |
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| Abstract: | Jean Epstein and Germaine Dulae emphasized the importance of movement to film aesthetics.Jean Epstein sought to apply this of rapid and rhythmic editing as well as the innovative use of close-ups and superimpositions of images.However,Germaine Dulae's goal was pure cinema without any influence from literature,stage,or other visual arts.In order to get better visual effects,she believed that films should be made according to the rules of visual music.In this article,both the significance of movement in Epstein's photogenie and Dulac's cinegraphie will be deeplv compared and analyzed.In addition,skills on how to express such concept in film making process will also be discussed. |
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| Keywords: | movement einegraphie photogenie film aesthetics |
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