| 从中国古代的音乐精神看“气韵生动”观念 |
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| 引用本文： | 刘泰然,陈雪.从中国古代的音乐精神看“气韵生动”观念[J].唐山师范学院学报,2012(4):115-117. |
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| 作者姓名： | 刘泰然 陈雪 |
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| 作者单位： | 吉首大学文学与新闻传播学院,湖南吉首416000 |
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| 基金项目： | 2010年度国家社会科学基金项目(10CZX050) |
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| 摘 要： | 魏晋以来的中国古代士人充满一种音乐的精神,这种精神传达出他们对人生、宇宙更灵动、超脱的理解。艺术领域的"气韵生动"一说与这种音乐精神有着内在的联系;"韵"是一种现象学时间意识在绘画中的体现;它表明中国艺术家在绘画中追求的并非某种现成化的客观对象,而是直观宇宙本体的活生生的时间意识。
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| 关 键 词： | 气韵生动 音乐 现象学时间意识 |
The Music and Rhythmic Vitality from the Perspective of Ancient Chinese Music Spirit |
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| LIU Tai-ran,CHEN Xue.The Music and Rhythmic Vitality from the Perspective of Ancient Chinese Music Spirit[J].Journal of Tangshan Teachers College,2012(4):115-117. |
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| Authors: | LIU Tai-ran CHEN Xue |
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| Institution: | (College of Literature and Journalism,Jishou University,Hunan 416000) |
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| Abstract: | The esquire in the period of Wei and Jin had a spirit of music which embodies a kind of much more flexible and unconventional comprehension about life and universe.In fact,the concept of "rhythm" in the music is an embodiment of phenomenology time consciousness in the painting.Chinese artists do not purse some kinds of "vorhanden" objective targets.What they want to acquire is a vivid time consciousness of intuitionist cosmology. |
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| Keywords: | rhythmic vitality music phenomenology time consciousness |
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