| “润腔”在中国民族声乐中的创造性应用 |
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| 引用本文： | 刘思思.“润腔”在中国民族声乐中的创造性应用[J].唐山师范学院学报,2009,31(6):159-160. |
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| 作者姓名： | 刘思思 |
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| 作者单位： | 唐山师范学院,音乐系,河北,唐山,063000 |
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| 摘 要： | ＂润腔＂是中国民族声乐艺术的特殊风格,在中国传统美学理论中被称为＂韵味＂。韵味的价值是以＂独特性＂为准绳的,是建立在中国民族歌唱艺术及其生存背景上的。演唱者的艺术再创造就是根据作品所表达的情境,在不改变音符和基本节奏的前提下进行多样化的发挥。
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| 关 键 词： | 民族声乐 润腔 以字行腔 韵味 |
The Creative Application of "Run-cavity" in Chinese Vocal Music |
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| LIU Sisi.The Creative Application of "Run-cavity" in Chinese Vocal Music[J].Journal of Tangshan Teachers College,2009,31(6):159-160. |
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| Authors: | LIU Sisi |
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| Institution: | LIU Si-si (Department of Music, Tangshan Teachers College, Tangshan Hebei 063000, China) |
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| Abstract: | ＂Run-cavity＂ is a special aesthetic style of Chinese national vocal music. It is called ＂charm＂ in traditional Chinese aesthetic theory. The value of charm uses ＂uniqueness＂ as its criterion. And this ＂uniqueness＂ is based on Chinese folk art of singing. The creative application of art is to develop according to the situation created by the works without changing the rhythm of musical notes and the basic premise of diversification play. |
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| Keywords: | national vocal music run cavity with words cavity charm |
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