| 对立、冲突与断裂：孟郊赋性及诗风关系 |
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| 引用本文： | 童占芳.对立、冲突与断裂：孟郊赋性及诗风关系[J].唐山师范学院学报,2010,32(3):50-53. |
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| 作者姓名： | 童占芳 |
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| 作者单位： | 青海师范大学,中文系,青海,西宁,810008 |
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| 摘 要： | 孟郊诗歌带给读者的是读之不欢、弃之不舍的非常独特的审美感受,这是中唐奔竞士风的反映,也与孟郊真率坦诚的个性气质有关。但最重要的是,它是孟郊二元对立思维方式的产物。孟郊诗歌里的许多意象都是激烈冲突、不和谐的。在人与自然、我与＂群＂的对立中,中国传统美学的和谐、优美等都被打破,取而代之的是狰狞、血腥和悲观。孟郊的诗歌创作,昭示着一种新的诗歌风格的到来。
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| 关 键 词： | 二元对立 孟郊 诗风 士风 |
The Research on Meng Jiao's Inborn Nature and His Poetic Style |
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| TONG Zhan-fang.The Research on Meng Jiao''s Inborn Nature and His Poetic Style[J].Journal of Tangshan Teachers College,2010,32(3):50-53. |
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| Authors: | TONG Zhan-fang |
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| Institution: | TONG Zhan-fang (Department of Chinese,Qinghai Normal University,Qinghai Xining 810008,China) |
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| Abstract: | Mengjiao＇s poems often make its readers have a peculiar feeling. That is,if they read,they feel uncomfortably,but they can’t put it aside. This is because of its aesthetic style. It is the reflection of the common practice of scholars in the mid-Tang Dynasty,and it is the representation of his bluff character too. But the most important reason is his mode of thinking. In Mengjiao＇s poem,a lot of images are complex and disharmonic. Chinese traditional aesthetics’ character is destroyed. Mengjiao＇s writing indicates a new poem times arrive. |
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| Keywords: | binary oppositions Meng Jiao poetic style the common practice of scholars |
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