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《聊斋志异·龙戏蛛》的海滨区域传说源流
引用本文:刘卫英.《聊斋志异·龙戏蛛》的海滨区域传说源流[J].大连大学学报,2005,26(5):54-57.
作者姓名:刘卫英
作者单位:南开大学,文学院,天津,300072
摘    要:明代笔记中大型蜘蛛故事还未限定在海滨,清人这里,“海州”这一区域,成为大型蜘蛛传闻发生压倒一切的地区。叙事特点有:1、大蜘蛛具有变形为人的能量,有善良本性,可与人交往。2、大蜘蛛也属于妖怪一类,但道行较高,可同雷公或龙较量,有时甚至能击败雷公或龙。宋人笔下相关传闻开始随文化重心南移而偏移到东南沿海,还把巨型蜘蛛与宝珠传说结合,成为“意外得宝”与“识宝”叙事模式一个凝聚点。蒲松龄《龙戏蛛》承续了同情蜘蛛的倾向,而谴责龙与雷霆代表的“天公”,以强化实录性来增加可信性。

关 键 词:《聊斋志异》  蜘蛛传说  区域文化  明清小说
文章编号:1008-2395(2005)05-0054-04
修稿时间:2005年8月10日

Legends in the seashore regions employed in the story the Dragon fighting against the spider in Lioastai
LIU Wei-ying.Legends in the seashore regions employed in the story the Dragon fighting against the spider in Lioastai[J].Journal of Dalian University,2005,26(5):54-57.
Authors:LIU Wei-ying
Abstract:In the notebook fictions in the Ming Dynasty,the source of spider stories was not confined to the legends in the seashore regions,while in the Qing Dynasty the area named Haizhou was the place where such stories were widely spread.In the stories there are two common narrative characteristics.One is that the big spider can work magic to change into a kind man and get along well with human beings.The other is that the spider is a demon,which has enough magic power to fight against the dragon or the thunder ghost and sometimes it defeats them.In the Song Dynasty,relative legends were spread to the southeast seashore regions with the southward movement of the cultural center and combined with the legends about the pearl and other treasures.The legends became the source material of the literary works about treasures.The story by Pu Songling inherited the trend that the spider is sympathized with while the dragon and the thunder ghost are blamed though they represent God.In this way he enhances the realness and creditability.
Keywords:Liaotsai  spider legend  regional culture  Mingqing fiction
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