| 舞蹈镜头语言的组接运动研究 |
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| 引用本文： | 孟梦.舞蹈镜头语言的组接运动研究[J].洛阳师范学院学报,2012,31(10):120-124. |
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| 作者姓名： | 孟梦 |
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| 作者单位： | 山东艺术学院舞蹈学院,山东济南,250014 |
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| 摘 要： | 舞蹈与镜头语言的结合创造了多维度的视觉审美,而当镜头组接技术运用于舞蹈影像创作中后,舞蹈本体的时空性再次被重新解构,镜头画面组接的方式在舞蹈视觉传达过程中起到至关重要的作用。因此,镜头组接中的切、叠化、淡出淡入、划变或任何其他由镜头到镜头的转换策略都将成为舞蹈传播的载体,并逐渐形成符合舞蹈特性的运动规律。文章将论题锁定在舞蹈镜头语言的组接运动上,重点结合多种形式的舞蹈影像个案逐步深入分析舞蹈与镜头组接运动之间复杂、多变的关系,并在微观分析基础上,探讨了舞蹈镜头语言运用的学术含义与认识价值。
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| 关 键 词： | 舞蹈 镜头组接 运动 |
Combination and Motion of Dance Camera Language |
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| MENG Meng.Combination and Motion of Dance Camera Language[J].Journal of Luoyang Teachers College,2012,31(10):120-124. |
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| Authors: | MENG Meng |
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| Institution: | MENG Meng(Dance School,Shandong Art Academy,Jinan 250014,China) |
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| Abstract: | Combination of dance and camera language creates multi-dimensional visual aesthetics.When the technique of combining takes is used in dance videos,the tempo-space elements of dance are broken down and reconstructed.Combination of takes has very important function in dance videos.Cutting,cascading,fading in / out,wiping or any other techniques are all carriers of dance broadcasting,and have gradually shaped the regular patterns of motion that fit the characteristics of dance.This paper focuses on dance camera language,gathers a variety of cases of dance videos,analyzes the complex and dynamic motions of take combination,and discusses the academic connotation and cognitive values of dance camera language. |
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| Keywords: | dance take combination motion |
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