| 《登徒子好色赋》的符号化隐喻 |
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| 引用本文： | 李德斌.《登徒子好色赋》的符号化隐喻[J].洛阳师范学院学报,2007,26(4):73-75. |
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| 作者姓名： | 李德斌 |
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| 作者单位： | 安阳师范学院,文学院,河南,安阳,455000 |
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| 摘 要： | 《登徒子好色赋》是宋玉早期的作品。此赋采用符号化隐喻和象征的策略,把对礼的宣扬和文学审美结合起来,表达了他对"欲"与"礼"关系的认识。赋中,东邻之女代表着人的自然原欲,是色欲的符号;"墙"则是礼的符号、礼的隐喻,代表着"礼"对人行为的规范与限制;而登徒子、宋玉、章华大夫三人,则构成了礼秩序中的欲与礼冲突的三个层面,分别代表了世俗社会对礼的三种观念。
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| 关 键 词： | 宋玉 登徒子好色赋 符号 隐喻 |
| 文章编号： | 1009-4970（2007）04-0073-03 |
| 修稿时间： | 2007-03-12 |
Symbolized Metaphor in Deng Tuzi Fond of Beauty |
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| LI De-bin.Symbolized Metaphor in Deng Tuzi Fond of Beauty[J].Journal of Luoyang Teachers College,2007,26(4):73-75. |
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| Authors: | LI De-bin |
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| Institution: | Anyang Teachers College, Chinese language and Culture Department, Anyang 455000, China |
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| Abstract: | Deng Tuzi Fond of beauty is one of Song Yu's early works.This prose employs the strategies of symbolized metaphor and symbolism.It combines disseminating social rules and literary aesthetics.It also reveals the author's viewpoint about sexual appetite and social rules.In the prose,the girl in the neighborhood symbolizes sex and appetite,and she is the symbol of sexual appetite;"Wall" is the metaphor of social rules and it connotes social rules' function of controlling human actions;Deng Tu Zi,Song Yu and Zhang Hua constitute three layers in the conflict of appetite and social rules and they represents three opinions about social rules. |
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| Keywords: | Song Yu Deng Tuzi Fond of Beauty symbol metaphor |
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