| 张大千与敦煌壁画 |
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| 引用本文： | 徐建融.张大千与敦煌壁画[J].内江师范学院学报,2013,28(7):15-19. |
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| 作者姓名： | 徐建融 |
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| 作者单位： | 上海大学美术学院,上海,200433 |
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| 摘 要： | 敦煌壁画与中国画的现实创作发生密切的关系,张大千起了重要作用。张大千总结出敦煌壁画的十大亮点,其本人亦受益于敦煌壁画而创作出了伟大的作品。相比今天的大多数学者仅仅把敦煌壁画放在博物馆中作为"历史"的研究对象,张大千把它作为"过去史"延续到"未来史"而放在创作实践中,成为"现实"的借鉴对象,更体现了敦煌壁画的价值与意义。
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| 关 键 词： | 敦煌壁画 张大千 中国画 |
ZHANG Da-qian and Dunhuang Frescoes |
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| XU Jian-rong.ZHANG Da-qian and Dunhuang Frescoes[J].Journal of Neijiang Teachers College,2013,28(7):15-19. |
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| Authors: | XU Jian-rong |
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| Institution: | XU Jian-rong (School of Fine Arts, Shanghai University, Shanghai, 200433, China) |
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| Abstract: | ZHANG Da-qian played an important part in the combination of Dunhuang frescoes with Chinese paintings. ZHANG once generalized ten unique features of Dunhuang frescoes. And he, himself too, benefited greatly from them and created great works. Compared with the most of the current scholars who only take the frescoes in museums as the objects of stud- y, ZHANG took them as the continuation of the past and put them in his future creative practice, which successfully became the objects for reference and showed the value and significance of these frescoes. |
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| Keywords: | Dunhuang frescoes ZHANG Da-qian Chinese Daintings |
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