| 略论梁辰鱼之考订元剧 |
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| 引用本文： | 黎国韬,禤颖.略论梁辰鱼之考订元剧[J].五邑大学学报(社会科学版),2011,13(2):63-67,95. |
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| 作者姓名： | 黎国韬 禤颖 |
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| 作者单位： | 中山大学中国非物质文化遗产研究中心,广东广州,510275 |
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| 基金项目： | 国家杜科基金重点项目"观念、视野、方法与中国戏剧史研究" |
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| 摘 要： | 梁辰鱼考订元剧，可以视为他效仿魏良辅再度改良昆腔的工作之一，这为他自翻新调作了准备，也是新昆腔得以运用于传奇创作并被搬上戏剧舞台的重要保证。梁氏考订元剧的主要成果表现在杂剧《红线女》的创作上，此剧为《浣纱记》的创作奠定了思想基础。
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| 关 键 词： | 梁辰鱼 元剧 北曲 昆腔 红线女 妇女观念 |
On Liang Chenyu's Textual Research on the Yuan-era Opera |
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| LI Guo-tao,XUAN Ying.On Liang Chenyu's Textual Research on the Yuan-era Opera[J].Journal of Wuyi University(Social Sciences Edition),2011,13(2):63-67,95. |
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| Authors: | LI Guo-tao XUAN Ying |
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| Institution: | LI Guo-tao,XUAN Ying |
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| Abstract: | Liang Chenyu’s textual research on the Yuan plays can be seen as an effort to improve the Kun Opera and paved the way for his own creation. It guaranteed the success of the innovated Kun Opera. The main results of his textual research are reflected in his creation of Hong Xian Nü(Red Thread Girl) which laid the foundation for the creation of Huan-Sha-Ji. |
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| Keywords: | Liang Chen-yu Yuan opera North Opera Kun Opera Hong Xian Nü (Red Thread Girl) the concept of women |
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