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传统与现代之间:世情小说的审美意识
引用本文:韩玺吾.传统与现代之间:世情小说的审美意识[J].河南师范大学学报(哲学社会科学版),2007,34(1):186-189.
作者姓名:韩玺吾
作者单位:长江大学,期刊社,湖北,荆州,434023
摘    要:在古代长篇小说的发展历程中,世情小说的出现有着重大的意义。一方面,世情小说在小说人物的选取、整体结构及小说的语言上,明显流露出不同于史传文学的新的平民化、世俗化的审美意识;但另一方面,在这种新变中,世情小说又表现出与史传文学千丝万缕的联系,在创作动机、创作原则、传奇性等诸多方面承袭了源自史传文学的传统的审美意识。可以这样说,世情小说是中国古代长篇小说由传统向现代过渡的一座桥梁。

关 键 词:传统  现代  世情小说  《金瓶梅》  审美意识
文章编号:1000-2359(2007)01-0186-04
收稿时间:2006-08-20
修稿时间:08 20 2006 12:00AM

Between Tradition and Modern: Aesthetic Consciousness of Novels about Human Relationship
HAN Xi-wu.Between Tradition and Modern: Aesthetic Consciousness of Novels about Human Relationship[J].Journal of Henan Normal University(Philosophy and Social Sciences Edition),2007,34(1):186-189.
Authors:HAN Xi-wu
Institution:Yangtze University, Jingzhou 434023,China
Abstract:In the development of ancient full-length novels, the emergence of novels about human relationship has crucial significance.On one hand,novels about human relationship outpouring new aesthetic consciousness of common customs which are different from historical-biography literature on the whole structure,the tongue and selecting characters of novels;on the other hand,they are related each other,and novels about human relationship inherit the traditional aesthetic consciousness of historical-biography literature on creation motive and principle,and the romantic.It can be said that novels about human relationship is a bridge from tradition to modern..
Keywords:tradition  modern  novels about human relationship  Jinpingmei  aesthetic consciousness
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