| 《淮南子》本末论的渊源与创新 |
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| 引用本文： | 杜绣琳.《淮南子》本末论的渊源与创新[J].鞍山师范学院学报,2011,13(1):70-73. |
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| 作者姓名： | 杜绣琳 |
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| 作者单位： | 上海大学博士后流动站;鞍山师范学院中文系; |
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| 摘 要： | 先秦时期已经出现从本体论的高度探讨文艺的本与末,《淮南子》文艺本末论既对前贤的思维成果有所吸收、借鉴,也有自己的独创和发挥,使本末论在艺术范畴内呈现出比较成熟的理论形态,为中国古代文论的进一步发展成熟做出了奠基性贡献。
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| 关 键 词： | 《淮南子》 本末论 渊源 创新 |
Origin and Creativeness of the Fundamental and the Incidental on Huai Nanzi |
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| DU Xiu-lin.Origin and Creativeness of the Fundamental and the Incidental on Huai Nanzi[J].Journal of Anshan Teachers College,2011,13(1):70-73. |
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| Authors: | DU Xiu-lin |
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| Institution: | DU Xiu-lin1,2(1.Post-doctoral Reseach Stations,Shanghai Univesity,Shanghai 200444,China,2.Department of Chinese Languages & Literature,Anshan Normal University,Anshan Liaoning 114007,China) |
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| Abstract: | Before Qin Dynasty,it has emerged and researched into the fundamental and the incidental about literature from the height of ontology.The theory of the fundamental and the incidental in huainanzi has absorbed and learned the thinking outcome of the forerunners and has their own original and development.huainanzi made the theory of the fundamental and the incidental showing a more mature form of theory in arts,and made Fundamental Contribution to further development and maturity of the ancient Chinese litera... |
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| Keywords: | Huainanzi The theory of the fundamental and the incidental The origin of thought Creativeness |
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