| 《文心雕龙·神思》创作精义新绎 |
| |
| 引用本文： | 李金坤.《文心雕龙·神思》创作精义新绎[J].山西大学师范学院学报,2009(1):83-88. |
| |
| 作者姓名： | 李金坤 |
| |
| 作者单位： | 江苏大学人文学院,江苏镇江212003 |
| |
| 基金项目： | 江苏大学人文社科重点建设项目：《镇江地域历史文化研究》（JDR2006A05） |
| |
| 摘 要： | 刘勰的《文心雕龙·神思》篇是一篇专论艺术构思与想象的著名论文。其“神与物游”说形象地阐明了“心物交融”的过程，开创了形象思维理论的先声；而形象思维的结晶便是“意象”，即“人心营造之象”，作者要像“窥意象而运斤”的“独照之匠”那样，迅摄意象，运笔于纸。而意象的酝酿与定型，其必不可少的前提又“贵在虚静”。“虚静”是创作之前的作者所需之境静与心静的双重要求。
|
| 关 键 词： | 文心雕龙 神思 神与物游 营造之象 虚静 |
Modern Analysis of the Importance of the Creation of Great Spirit in The Literary Mind and the Carving of Dragons |
| |
| LI Jin-kun.Modern Analysis of the Importance of the Creation of Great Spirit in The Literary Mind and the Carving of Dragons[J].Journal of Teachers College of Shanxi University,2009(1):83-88. |
| |
| Authors: | LI Jin-kun |
| |
| Institution: | LI Jin-kun (Chinese Department, College of Humanities, Jiangsu University, Zhenjiang 212003, China) |
| |
| Abstract: | Liu Xie＇ s Great Spirit in The Literary Mind and the Carving of Dragons is a famous paper about artistic sketching and imagination. In it the theory of ＂thoughts follow the scene＂ vividly explains the process of the merging the writer＇ s heart with the objects, and initiates the theory of imaginative thoughts, the core of which is the image created by writer＇s heart. The writer should be like a craftsman who independently watch things using the axe while seeing the image, and catch the image and put it in words. The essential premise for the incubation and formation of images is serenity, which requests the serene scene and serene heart in a writer before writing. |
| |
| Keywords: | The Literary Mind and the Carving of Dragons Great Spirit merging the writer＇ s heart with the objects image created by heart serenity |
| 本文献已被 维普 等数据库收录！ |
