| 30年代中国电影中的上海租界 |
| |
| 引用本文： | 徐婷婷.30年代中国电影中的上海租界[J].涪陵师范学院学报,2010,26(4). |
| |
| 作者姓名： | 徐婷婷 |
| |
| 作者单位： | 西南大学文学院,重庆,400715 |
| |
| 摘 要： | 上世纪30年代的中国电影繁荣于上海,上海特殊的租界文化语境影响了电影的表达.在30年代的电影中,上海租界中的典型公共空间具有隐喻与象征的色彩,成为一座陌生、罪恶的城市.30年代的经典影片,在叙事策略、内容等方面借鉴好莱坞电影的同时,实现了形式与内容的突围.
|
| 关 键 词： | 30年代上海电影 租界文化 叙事策略 |
Shanghai Concessions in the 1930s Chinese Films |
| |
| XU Ting-ting.Shanghai Concessions in the 1930s Chinese Films[J].JOurnal of Fuling Teachers College,2010,26(4). |
| |
| Authors: | XU Ting-ting |
| |
| Institution: | XU Ting-ting(School of Literature,Southwest University,Chongqing 400715,China) |
| |
| Abstract: | The 1930s Chinese film industry was prosperous in Shanghai whose special context of concession culture had influences on the expression of film.In the films during that period,the typical public space in the Shanghai concessions had the color of metaphor and symbolism,and Shanghai became a strange and evil city.In terms of narrative strategies and contents,while borrowing from the Hollywood,the classical films in the 1930s had their own breakthrough in both form and content. |
| |
| Keywords: | 1930s Chinese films concessions culture narrative strategies |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
