| “模仿”与“灵感”的指称滑移——论西方元典诗学一个悬而未决的重要问题 |
| |
| 引用本文： | 李平.“模仿”与“灵感”的指称滑移——论西方元典诗学一个悬而未决的重要问题[J].上海师范大学学报(基础教育版),2005,34(4):74-81. |
| |
| 作者姓名： | 李平 |
| |
| 作者单位： | 上海师范大学人文与传播学院 上海200234 |
| |
| 摘 要： | “模仿”与“灵感”是西方元典诗学中两个极为重要的概念。在古希腊,它们共同被用来说明诗的创作现象,其间并无障碍。可是在我国,人们长期以来习惯于把希腊诗学中的“模仿”说与“灵感”说视为不同范畴的问题,认为柏拉图关于诗的言说充满了矛盾,因而忽视或放弃了对这组概念之间关系的进一步探究。本文从概念的古代真义和历史沿革以及柏拉图思想自身的复杂性等角度,对两者之间互有关联的、悬而未决的问题进行了比较深入的思考和分析。
|
| 关 键 词： | 模仿 灵感 古希腊 诗学 柏拉图 |
| 文章编号： | 1004-8634(2005)04-0074-(08) |
| 修稿时间： | 2004年12月20 |
The Shift of the Concepts Between Imitation and Inspiration |
| |
| LI Ping.The Shift of the Concepts Between Imitation and Inspiration[J].Journal of Shanghai NOrmal University,2005,34(4):74-81. |
| |
| Authors: | LI Ping |
| |
| Abstract: | Imitation and inspiration are very important concepts in western classical poetics. In ancient Greece, both were used to explain poetic creation, and there were no difficulties for people to understand. But in China today, people are accustomed to dividing them into two different categories. They believe that Plato' s poetic theory is full of contradictions. Therefore, they either neglect or give up further research on these two concepts. This paper makes a relatively profound study of the unresolved issues related to the two concepts from the angles of the ancient original meanings and shifts of the concepts and of Plato' s complicated theories. |
| |
| Keywords: | imitation inspiration ancient Greece poetics Plato |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
