| 黑格尔雕刻美学思想浅析 |
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| 引用本文： | 周新凤.黑格尔雕刻美学思想浅析[J].湖州职业技术学院学报,2009,7(2):34-36. |
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| 作者姓名： | 周新凤 |
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| 作者单位： | 山东师范大学,文学院,山东,济南,250014 |
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| 摘 要： | 黑格尔是德国古典美学的集大成者。他在其体大恢宏的客观唯心主义和辩证法的哲学基础之上，建构了他的美学体系。而雕刻美学正是其美学体系的重要组成部分。黑格尔认为，雕刻是古典型艺术的典型代表。雕刻艺术是物质与精神的统一，是主观和客观的统一，是普遍的人性与特殊的神性的统一。在雕刻里所看到的，正是精神离开有体积的物质而回到精神本身的过程。
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| 关 键 词： | 黑格尔 雕刻美学 精神 统一 |
Initial Analysis on Hegel's Carving Aesthetics |
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| ZHOU Xin-feng.Initial Analysis on Hegel's Carving Aesthetics[J].Journal of Huzhou Vocational and Technological College,2009,7(2):34-36. |
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| Authors: | ZHOU Xin-feng |
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| Institution: | ZHOU Xin- feng (School of Literature, Shandong Normal University, Jinan 250014, China) |
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| Abstract: | Hegel was a prominent master of German classical aesthetics. Based on his objective idealism and dialectics philosophy, he constructed his aesthetics system, and Carving Aesthetics is the very important part of it. He thought that Carving is a typical representative of classical art. It is the unity of spirit and matter, the unity of subjective and objective, and the unity of universal humanity and special divinity. We can see the process of the spirit leaving material which has volume and comes back to his own way. |
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| Keywords: | Hegel Carving Aesthetics spirit unity |
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