| 流动百年的沧桑河水——论中国当代文学的“现代性”脉络 |
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| 引用本文： | 吴凡.流动百年的沧桑河水——论中国当代文学的“现代性”脉络[J].淮北职业技术学院学报,2008,7(1):24-27. |
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| 作者姓名： | 吴凡 |
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| 作者单位： | 安徽大学,中文系,安徽,合肥,230039 |
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| 摘 要： | 在1949年以来的中国当代文学中,17年文学的经典文本,是对现代“民族国家”形成的史诗式的展现。在新时期文学中,“现代性”则更多表现为对“个人主体”的探索。80年代初期,启蒙现代性又回到人们的视域,“现代性”一度成为文学主题,为文学提供了终极价值和梦想。但直到90年代以来的“后新时期”文学,对“现代性”的追问才成为一个主要趋势,寻根小说、先锋小说、新写实小说、女性小说、新生代小说等都从不同角度去积极反思“现代性”,并走向多元价值判断的文学道路。
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| 关 键 词： | 现代性 当代文学 启蒙现代性 审美现代性 |
| 文章编号： | 1671-8275(2008)01-0024-04 |
| 修稿时间： | 2006年11月23 |
Vicissitudes River Water of Flowage Centuries——On "Modernity" threads of the Chinese Contemporary Literature |
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| WU Fan.Vicissitudes River Water of Flowage Centuries——On "Modernity" threads of the Chinese Contemporary Literature[J].Journal of Huaibei Professional and Technical College,2008,7(1):24-27. |
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| Authors: | WU Fan |
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| Abstract: | In the Chinese contemporary literature following 1949,the classic text of 17 years' literature is the formation of the epic show of the modern "nation-state".In the new era literature,"Modernity" is much more performance of the "personal entity" exploring,for example: Liu Xinwu's "bell Gulou",Zong Pu's "Who am I",Zhang Jie's "love is not to be forgotten".The early 1980s,enlightenment modernity has returned to the people's horizon."Modernity" had become a literary theme,providing ultimate value and dreams.But it was not until the 1990s,the "new era" of literature,the "modernity" of asking to become a major trend,root novels,pioneer novels,the new realism novels,female fiction,the new generation fiction and so on,all go to actively reflect on "Modernity" from different angles,and move toward literary road of multi-value judgment. |
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| Keywords: | modernity contemporary literature enlightenment modernity aesthetic modernity |
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