| 中国“新潮诗”的命运与“后现代”问题 |
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| 引用本文： | 范颖.中国“新潮诗”的命运与“后现代”问题[J].零陵学院学报,2001(1). |
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| 作者姓名： | 范颖 |
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| 作者单位： | 中山大学中文系!广东 广州510275 |
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| 摘 要： | 20世纪80年代中后期的“新潮诗”运动曾经产生了广泛的影响，然而，对新潮诗进行艺术形式及意义内容上的文本分析可以看出，这种“新潮诗”虽然锐劲十足，却缺少传统的支撑，显得“没有意义”。尽管理论界从后现代主义为它找理论根据，它还是很不争气地匆匆衰落了。这一现象说明，文学艺术的生长和存在是有其自身的文化土壤和艺术规律的，盲目模仿或故弄玄虚，都不可能创作出真正有价值的文学作品。
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| 关 键 词： | 新潮诗 文本分析 后现代主义 传统 |
The Fate of New Poetry in China and the Issue of Postmodernism |
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| Authors: | FAN Ying |
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| Abstract: | The New Poetry Movement in the latter 1980s exerted great impact on the literary creation in China. However, detailed discourse analysis reveals that most of the so-called new poems were just meaningless nonsense delicately composed of crafty meaning fragments. Although some critics defended such poems and related them to the post-modernism movement, they inevitably declined. The phenomenon shows that valuable artistic creation needs to be based on its social and cultural tradition and reality. Blind imitation of foreign styles or pure technical proficiency without sincere, intrinsic concern about what is depicted will lead to no worthwhile literary works. |
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| Keywords: | new poetry discourse analysis post-modernism tradition |
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