| 《三姐妹》:追寻失落的精神家园 |
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| 引用本文： | 李辰民.《三姐妹》:追寻失落的精神家园[J].嘉应学院学报,2004,22(2):48-53. |
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| 作者姓名： | 李辰民 |
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| 作者单位： | 嘉应学院 中文系,广东 梅州 514015 |
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| 摘 要： | 契诃夫的《三姐妹》讲述了无家可归的人追寻失落家园的故事。三姐妹的追寻意识是在残缺的现实和精神危机的双重压力下产生的。"家园情结"时时支配着她们的情绪和生活;《三姐妹》的结构式是松散的,剧本着重表现人物内心的冲突,表现她们的孤独感、陌生感;《三姐妹》是喜剧还是悲剧?为什么契诃夫坚持"喜剧说"?本文对这些问题发表了独立的看法。
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| 关 键 词： | 契诃夫 精神家园 戏剧结构 悲喜剧 |
| 文章编号： | 1006-642X(2004)02-0048-06 |
| 修稿时间： | 2003年12月3日 |
"Three Sisters":Seeking for A Lost Spiritual Home |
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| LI Chen-min."Three Sisters":Seeking for A Lost Spiritual Home[J].Journal of Jiaying University,2004,22(2):48-53. |
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| Authors: | LI Chen-min |
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| Abstract: | Three Sisters" written by chekhov is a story about the homeless seeking for a lost spiritual home. The three sisters became aware of seeking under the pressure of the in complete reality and their spiritual crisis. Their mood and their life are controlled by "home complex" all the time. The structure of "Three Sisters" is loose. This play emphatically expresses the inner conflicts of the characters, their loneliness and their strangeness. Is "Three Sisters" a comedy or a tragedy? Why does chekhov insist on "comedy theory"? In this article, the author will express some unusual opinions on these questions. |
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| Keywords: | chekhov a spiritual home theatrical structure comedy and tragedy |
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