| 绘画艺术抽象的模糊性与模糊美 |
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| 引用本文： | 邹正昌,伍蔚兰.绘画艺术抽象的模糊性与模糊美[J].湖南城市学院学报,2001,22(1):34-37. |
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| 作者姓名： | 邹正昌 伍蔚兰 |
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| 作者单位： | 益阳师范高等专科学校，湖南 益阳 413049 |
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| 摘 要： | 抽象与具象在艺术形象中二者统一于美。中国传统艺术抽象由个性向模式化的共性过渡，走向类型化的共性终结。西方现代艺术抽象追求个性与理性。从艺术创造和欣赏剖析，抽象引发模糊性，作品的模糊性蕴藏着无尽的模糊美。
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| 关 键 词： | 艺术抽象 模糊性 模糊美 |
| 文章编号： | 1001-876X(2001)01-0034-04 |
| 修稿时间： | 2000年11月1日 |
Fuzziness and Aesthetics
of Artistic Abstraction in Drawing |
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| ZOU Zheng chang,WU Wei lan.Fuzziness and Aesthetics
of Artistic Abstraction in Drawing[J].Journal of Hunan City Univeristy,2001,22(1):34-37. |
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| Authors: | ZOU Zheng chang WU Wei lan |
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| Abstract: | ion and creation on the part of artistic images.Traditional Chinese artistic abstraction has experienced a transition from individuality via modeled generality to molded universality.Moderm Western art abstraction concentrates on reason and individuality.In the course of artistic creation and appreciation,this abstraction results in fuzziness and a vast reservoir of fuzzy aesthetics. |
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| Keywords: | artistic abstraction fuzziness fuzzy aesthetics |
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