| 山水画皴法的形式美及其发展 |
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| 引用本文： | 曾宪荣.山水画皴法的形式美及其发展[J].湖南城市学院学报,2002,23(2):95-96. |
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| 作者姓名： | 曾宪荣 |
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| 作者单位： | 益阳师范高等专科学校,美术系,湖南,益阳,413049 |
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| 摘 要： | 中国山水画的皴法 ,是历代山水画家外师造化、摹写真山实水提炼出来的语言形式 ,具有独特的审美特征。皴法的程式化 ,即是艺术发展的规律性总结 ,亦是为表现主题服务的 ,同时也是不断变化、丰富和发展的。
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| 关 键 词： | 皴法的形式 审美特征 外师造化 创造 发展 |
| 文章编号： | 1001-876X(2002)01-0095-02 |
| 修稿时间： | 2001年11月12 |
On the Formal Beauty and Development of the Technique of Representing Irregular Surfaces in Landscape Painting |
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| ZENG Xian-rong.On the Formal Beauty and Development of the Technique of Representing Irregular Surfaces in Landscape Painting[J].Journal of Hunan City Univeristy,2002,23(2):95-96. |
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| Authors: | ZENG Xian-rong |
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| Abstract: | The Technique of Representing Irregular Surfaces in Chinese landscape painting is a language form summed up by the landscape painters of past ages who created new forms of sketches from real mountains and waters,and it has unique aesthetic feature.The stylization of such a technique is not only a summing-up of regular development of art,but also a service for representing the theme,and it is also changed,enriched and deveolped. |
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| Keywords: | form of the technique of representing irregular surfaces aesthetic feature creative development |
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