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歌剧《伤逝》音乐作品及演唱分析——以子君三首咏叹调为例
引用本文:倪静.歌剧《伤逝》音乐作品及演唱分析——以子君三首咏叹调为例[J].楚雄师范学院学报,2014(12):104-108.
作者姓名:倪静
作者单位:楚雄师范学院,云南楚雄,675000
摘    要:歌剧《伤逝》根据鲁迅同名小说改编而成,是作曲家施光南为纪念鲁迅先生诞辰100周年而创作的,此剧不仅树起了中国民族歌剧发展的创新里程碑,还成为了中国民族歌剧创作的重要代表作之一。《一抹夕阳》、《风萧瑟》、《不幸的人生》是歌剧中女主人公子君的三首咏叹调,即爱情三部曲。其音乐的表现形式借鉴西洋歌剧的艺术手法,结合二三十年代艺术歌剧的特点和时代背景,运用合唱、领唱、二重唱、四重唱、重唱与合唱相融合等歌剧演唱形式,增进了歌剧本身的抒情性和戏剧性。

关 键 词:伤逝  咏叹调  演唱分析

An Analysis of the Music Pieces in Opera Shang Shi and Their Singing--- A Study of Three Arias by Zijun
NI Jing.An Analysis of the Music Pieces in Opera Shang Shi and Their Singing--- A Study of Three Arias by Zijun[J].journal of chuxiong normal university,2014(12):104-108.
Authors:NI Jing
Institution:NI Jing ( Chuxiong Normal University, Chuxiong, 675000, Yunnan Province)
Abstract:Adapted from Lu Xun’s novel,opera Shang Shi (meaning“grieve over the deceased”)is the musical creation of composer Shi Guangnan to mark the 100th birthday of the novelist. Besides laying a milestone in the journey of China’s national opera production,it represents China’s operation creation in many ways. In the opera,Zijun,the heroine,has three love arias composed and sung in the western styles. These characteristics,combined with other techniques,such as chorus lead,duo and other common expression forms in opera,are highly effective to make this opera expressive,dramatic and symbolic of the 1920s and 1930s operas.
Keywords:Shang Shi  aria  analysis of singing
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