| 墨竹与中国文人画的审美特征 |
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| 引用本文： | 卫欣.墨竹与中国文人画的审美特征[J].扬州职业大学学报,2006,10(3):19-22. |
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| 作者姓名： | 卫欣 |
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| 作者单位： | 南京林业大学,江苏,南京,210037 |
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| 摘 要： | 从墨竹这一中国文人画中最常见的绘画题材入手，简要论述了竹画的产生、发展与确立，展示了竹子从绘画形象转化为绘画符号并且最终还原为审美对象的过程。进而以墨竹为媒介探完了诗歌题材中带有自然性与原生态的审美，儒家思想中人伦道德的审美与文人画中淡逸抒情的审美之间的关系与流变。最后．以墨竹与中国文人画审美的暗合为突破口，揭示了墨竹题材产生的内因，阐释了文人画的审美特征；
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| 关 键 词： | 墨竹 文人画 审美 |
| 文章编号： | 1008-3693(2006)03-0019-04 |
| 收稿时间： | 06 20 2006 12:00AM |
| 修稿时间： | 2006年6月20日 |
Pitch-dark Bamboo and Aesthetic Features of Chinese Literati Drawings |
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| WEI Xin.Pitch-dark Bamboo and Aesthetic Features of Chinese Literati Drawings[J].Journal of Yangzhou Polytechnic College,2006,10(3):19-22. |
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| Authors: | WEI Xin |
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| Institution: | Nanjing Forestry University, Nanjing 210037, China |
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| Abstract: | Proceeding from pitch-dark bamboo, the most common theme in Chinese literati drawings, this article briefly states the occurrence, development and establishment of bamboo drawings. It shows the process in which bamboo turns from drawing image to symbol and finally returns to aesthetic object. Furthermore, through pitch-dark bamboo, it probes into the natural aesthetics with primitive state in poetry and the relationships and variations between aesthetics in ethnics of the Confucians and quietly elegant aesthetics in Chinese literati drawings. Besides, the coincidence of pitch-dark bamboo and Chinese literati drawing is regarded as the breakthrough to reveal the inner reasons of pitch-dark bamboo occurring and expound aesthetic features of Chinese literati drawings. |
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| Keywords: | pitch-dark bamboo literati drawings aesthetics |
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