| 邓以蛰与徐复观释气韵生动之比较 |
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| 引用本文： | 伏爱华.邓以蛰与徐复观释气韵生动之比较[J].商丘职业技术学院学报,2012,11(6):1-3. |
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| 作者姓名： | 伏爱华 |
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| 作者单位： | 安徽大学哲学系,安徽合肥,230039 |
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| 基金项目： | 安徽省教育厅优秀人才基金项目:邓以蛰美学思想研究 |
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| 摘 要： | 从邓以蛰与徐复观对气韵生动的论述，我们可以看到：徐先生更注重从中国艺术精神的角度对气韵生动这一命题进行抽丝剥茧式的考察和疏解，而邓先生更注重从中国艺术发展的角度把握气韵生动的意义和价值。前者将气韵生动作为中国艺术精神的体现，后者将气韵生动视为中国艺术之理。俩人对气韵生动的界定、理论基础及其创造都有不同的诠释和理解，而邓、徐二位先生释气韵生动之不同，可视为研究中国古典美学之不同路径。
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| 关 键 词： | 邓以蛰 徐复观 气韵生动 |
The Comparison between DENG Yi-zhe and XU Fu-guan about Rhythmic Vitality |
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| FU Ai-hua.The Comparison between DENG Yi-zhe and XU Fu-guan about Rhythmic Vitality[J].Journal of Shangqiu Vocational and Technical College,2012,11(6):1-3. |
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| Authors: | FU Ai-hua |
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| Institution: | FU Ai-hua(Department of Philosophy,Anhui University,Hefei 230039,China) |
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| Abstract: | This article makes a comprehensive view about rhythmic vitality between DENG Yi-zhe and XU Fu-guan： Mr. Xu emphasized to research the content of rhythmic vitality in depth from the spirit of Chinese art. Mr. Deng emphasized to study the meaning of rhythmic vitality from the development of Chinese art. The former regarded rhythmic vitality as the embodiment of the spirit of Chinese art. The latter made rhythmic vitality as the ideal of Chinese art. There are some differences for understanding rhythmic vitality between them. It can be regarded as different paths for researching Chinese classical aesthetics. |
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| Keywords: | DENG Yi-zhe XU Fu-guan rhythmic vitality |
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