| 千古绝调话《圆驾》--谈《牡丹亭·圆驾》的艺术特色 |
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| 引用本文： | 陈文珍.千古绝调话《圆驾》--谈《牡丹亭·圆驾》的艺术特色[J].三明学院学报,2002,19(4):118-121. |
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| 作者姓名： | 陈文珍 |
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| 作者单位： | 三明高等专科学校,中文系,福建,三明,365004 |
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| 摘 要： | 汤显祖《牡丹亭·圆驾》写了杜丽娘、柳梦梅的团圆 ,但这是不了了之的团圆、荒诞的团圆 ,其独特结局的形成 ,与明代中期开始的审美情趣的发展有关 ,也反映了汤显祖创作思想的矛盾。本文对深入研究汤显祖的创作思想 ,有一定的意义
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| 关 键 词： | 大团圆 情与理 荒诞 |
| 文章编号： | 1671-1343(2002)04-0118-04 |
| 修稿时间： | 2002年9月10日 |
On the Outcome of Classical Love Opera Reunion on Peony Pavilion--On Artistic Characteristics of "Reunion on Peony Pavilion" |
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| CHEN Wen-zhen.On the Outcome of Classical Love Opera Reunion on Peony Pavilion--On Artistic Characteristics of "Reunion on Peony Pavilion"[J].Journal of Sanming University,2002,19(4):118-121. |
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| Authors: | CHEN Wen-zhen |
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| Abstract: | Reunion on Peony Pavilion"by Tang Xian zu tells us a story about a reunion between Du Li niang,and Liu meng Mei,which is ungenuine and fantastical;its unique ending was involved in the aesthetic temperament in the middle of Ming dynasty,which also reflected Tang Xian zu's contradiction in opera creating idea.The paper is undoubtly meaningful in further probing into Tang Xian zu's opera creating idea. |
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| Keywords: | reunion emotion and senses fantasticality |
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